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  • Oct 15th 2013
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Best Fred Holmes Movies is a public top list created by Listnerd on Rankly.com on October 15th 2013. Items on the Best Fred Holmes Movies top list are added by the Rankly.com community and ranked using our secret ranking sauce. Best Fred Holmes Movies has gotten 36 views and has gathered 0 votes from 0 voters. Only members can add items. Anyone can vote.

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    Two tars

    • Year Released: 1928
    Two Tars, directed by James Parrott and released in 1928. A silent film, it largely consists of a 'reciprocal destruction' involving motorists in a traffic jam, which has much inventive mayhem with the destruction of various automobiles. Sailors on leave, Laurel and Hardy pick up two girls and spend the afternoon driving in the country. They find themselves in the middle of a huge traffic jam. Tempers boil over among the motorists, and soon the street is a mess of mangled cars and car parts. Chapters — called Tents — of The Sons of the Desert, the international Laurel and Hardy Appreciation Society, all take their names from L films. There are four Two Tars Tents in Solingen, Germany; Guernsey, England; North Illinois/Wisconsin Border; and Philadelphia, Pennsylvania. A fifth Two Tars Tent was established in Reidsville, North Carolina, but is no longer active.
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    2

    Wrong again

    • Year Released: 1929
    Wrong Again is a 1929 two-reel comedy silent film starring Laurel and Hardy. It was shot in October and November 1928, and released February 23, 1929, by Metro-Goldwyn-Mayer. Although it is a silent film, it was released with a synchronised music and sound-effects track in theatres equipped for sound. Stable grooms Laurel and Hardy overhear news of a $5,000 reward for the return of the stolen painting Blue Boy, but think the reward is for the horse at their barn named Blue Boy. When they bring the horse to the painting's owner, he speaks to them from an upstairs window where he can't see the steed; he tells them to bring Blue Boy in the house and put "him" on the piano. This triggers a running gag where Ollie explains patiently to Stan that (Scott Fitzgerald aside), the rich are different from you and me. He punctuates his lesson with a twisting gesture of his hand to demonstrate the 180-degree difference between the classes. The three come clumping through the front door while the millionaire upstairs takes a bath — "and it ain't even Saturday," a title card informs us. Ollie has an altercation with a nude statue, which snaps into three pieces after the two tumble to the floor;
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